Lye’s second direct film was sponsored by Churchman Cigarettes. At the same time his friend Oskar Fischinger in Germany was also financing his great experimental films by making cigarette commercials. In Kaleidoscope Lye animated stencilled cigarette shapes and is said to have experimented with cutting out some of the shapes so that the light of the projector hit the screen directly. He developed a number of stencils such as “a yin-yang, a diamond shape, a wheel, a star” to complement his hand-painted images. The way these shapes spun and rolled across the screen anticipated the movements of his later kinetic sculptures. Like A Colour Box, this film had music by Don Baretto and his Cuban Orchestra. (Len Lye Foundation)
KALEIDOSCOPE presented particular challenges due to the material’s distinctive diagonal line screen, which required ultra-high resolution scanning at 9.6 K. The brittle condition of the di-acetate film stock further underscored the need for Scan2Screen’s careful mechanical layout, designed specifically for fragile archival materials.
The film will be meticulously digitally restored by San Francisco Film Preserve.
The original 35mm Dufaycolor di-acetate print of A COLOUR BOX scanned for this project is preserved at the British Film Institute Archive, London.